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A quarterly international literary journal

Truth


/ Poetry /

 

Driving our ‘55 Chevy, my mom sings Sinatra

while I sit beside to her, peering at Cunningham Park

 

as we travel past. But at five, what do I know?

What do I know of truth or lying or how this road

 

might take us anywhere? When the cop turns on

his siren, I spin around to see the flashing light,

 

and my mom stops singing. There’s panic in her silence

as she slows the car, finds a shoulder wide enough

 

to pull over on. And like a twin, the cop drives up

beside us on the grass, where the curve of an entrance

 

ramp widens to the parkway; I feel the coarse upholstery

against my legs as I sit, sweating in my new sundress,

 

my beautiful mother beside me—time’s register

switching to slow-motion, as I watch my mom rummaging

 

through her purse, then glancing at me long enough

to know I should say nothing. She yanks out a frayed

 

tissue and begins to weep—summoning gusty breaths

and tears that cascade down her face of invented sorrow.

 

By the time the cop arrives and sees her crying,

it’s he who’s apologizing. “Sorry, ma’am,” he says,

 

and my mom rolls down her window, dabbing her eyes

with the dirty tissue. It takes only a minute to let her go.

 

But before he does, the cop looks at me, a glance seeking

something—truth? Confirmation? I lower my eyes, say nothing.

 

When the cop speeds away, my mother rolls up her window,

laughing, ditching the wet tissue on the floor. I’d thought

 

we were going to jail. I’d thought about handcuffs. But now

I understood—my mother had lied—lied as if her life depended on it.

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